My Hooptie – Sir Mix-A-Lot (27, 34, 41 Hz) How You Do That – Master P ft Young Blood (29-42 Hz) Check out some of our listening testing with slowed and modified tracks. Bass music is primarily digitally modified sine-waves being injected into other music, and it should be treated in it’s own special way. 25 Hz doesn’t come from anything but a pipe organ, and most of us have never been to a car audio competition and demo’d someone’s ride while listening to a Wurlitzer Theatre Pipe Organ collection. Bass music does not come from an instrument with strings, brass horn or 808 samples. They know who Decaf is and they roll to DJSNT, Rusticals, and all the rest on the daily. Some of you might have read that list and said, “Yeah but I thought you guys liked bass, where is the low stuff?” Some of our listeners were big bass heads. Our next articles will also show ways to optimize amp power and cone excursion for the listeners bandwidth. Most folks had a hard time perceiving output losses below about 36 Hz.įor the mainstream listener, setting a subsonic filter around 35 Hz will allow them to hear all their music content, missing nothing on any performance, while protecting their system. Consistently, most listeners were incapable of discerning the difference between a subsonic filter set at 20 Hz and one set near 30 Hz. Styles range from country music to Cartoon metal bands, all the way back to British drum and bass, and dubstep. There’s pretty wide range of music that was played. Give It All We Got Tonight – George Strait Purple Lamborghini – Rick Ross & Skrillex Here are some of the tracks that they listened to. As they listened, a second person would turn the subsonic filter on the M2c up until the listener signaled that they could hear the difference.
SUBSONIC ON AMP FULL
A complement of DD door speakers and a 60 watt per channel speaker amp were included to allow for a full range listening experience.Įach listener sat in the driver’s seat and listened to music stored on their cell phones to insure that each person was familiar with their music. For this experiment we loaded up our trusty Isuzu Trooper with a 3510g ESP in a 1.5 cubic foot enclosure with 20 square inches of port, tuned to 35 Hz (the vehicle plays a good bit lower than that), and powered it off an M2c (2400 watt amp).
In all reality, the filter will probably never get set this high, but it then begs the question… how high should the filter be set?ĭD R&D solicited the help of various people around the DD Headquarters to see at what point they could hear their music be affected by a subsonic filter. This means a subsonic filter at 50 Hz would be 24 decibels down in amplifier output at 25 Hz, subwoofer box and vehicle transfer function notwithstanding.
SUBSONIC ON AMP SERIES
All DD M Series and DM Series Monoblocks use 24dB/octave subsonic filters. This refers to the rate at which music will be attenuated below the subsonic filter frequency. When talking about subsonic filters, readers may hear the term “slope” thrown around. DD Tech Talk readers know we like the deep down nitty gritty beats as much as the next bass enthusiast, but we’re also not afraid of using our subsonic filter to optimize our systems.
This is not going to turn into an “everything below 40 Hz is wasted information” argument, nothing is wasted if one is listening to it. In fact, it’s safe to say when a filter is indeed set to 50 Hz, a frequency like 30 Hz is still quite audible, albeit quieter than it would be if the filter was not utilized at all. What few of people actually realize, if an amplifier has a subsonic filter set at 50 Hz, everything below this is not dead and gone. What does the subsonic filter do exactly? A lot of folks would say it cuts out my low bass, and they wouldn’t be wrong. DD Audio Tech Talk | WRITTEN BY AARON TRIMBLE | 02 MARCH 2017
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